Gallery

Convertible Stage

The stage that converts between a takht throne and a mandap setup.

Bride's Suite

The separate suite where the bride prepares for the entrance.

Dance floor

The dance floor, built to handle both the attan and the dhol drums.

Quiet room

The quiet room for the tea ceremony or henna night, depending on the booking.

Farida N.

“Our Afghan celebration used the takht throne, and a week later the same stage held a mandap for my cousin, I heard. Shabnam knew exactly how our running order with the attan should go.”

Roya H.

“The bridal suite was spacious enough to get dressed calmly with my mother and sisters around, with a large mirror. Shabnam speaks fluent Dari, which mattered to my father.”

Latif J.

“No alcohol anywhere in the house, not even smuggled in, that was a hard requirement for our family and Shefa stuck to it strictly. The dance floor held up well for the attan with two hundred people.”

Homaira Z.

“We never saw the conversion from takht to mandap happen, it took place between bookings just as they promised. The hall itself fit 240 guests without feeling cramped.”

Sadia W.

“We needed both the dhol drums and a DJ for different parts of the evening, and the sound system handled both without crackling. Shabnam replied within two days to all our emails.”

Naeem A.

“Groom’s cousin here, from the Hindostani side of the family. The mandap setup looked just as well finished as the photos of their Afghan celebrations, genuinely no second-tier treatment.”